Craft Crystal-Clear Manga The Art of Eye Flow Control by Yamada Kintetsu

Two working mangaka, two skill sets, one full pipeline. TAKUMI Sameotoko covers analog-style pen touch and punchy panels, Yamada Kintetsu covers eye flow control and names that actually read well. You go from setup to finished manuscript without getting stuck halfway.

🎯 What you’ll learn

• Set up CLIP STUDIO PAINT EX with templates, brushes, and shortcuts for manga work
• Break down stories with paneling that controls pacing and readability
• Draw manga-style characters of different ages and genders using line, not color
• Ink with lively pen touch, betas, screentones, and white correction
• Build readable names with speech bubble placement and eye flow control
• Create characters from fetish points and idea memos and turn them into stories
• Finish and polish manuscripts including backgrounds, effects, and hand-drawn SFX

✅ Requirements

• Skills: Basic drawing ability, no pro manga experience needed
• Tools: CLIP STUDIO PAINT EX Ver.1.7.1 or later, drawing tablet
• Hardware: PC or tablet that can run Clip Studio smoothly

📝 Description

This isn’t theory. It’s two pros showing how they actually make pages that people read to the end.

First half is TAKUMI Sameotoko. He starts with the boring-but-important stuff: setup, templates, paneling. Lowers the barrier so you actually start. Then he gets into sketching, inking faces, bodies in motion, backgrounds with real perspective, and that scratchy analog-style pen touch. You also get betas, tone scraping, speed lines, and hand-drawn sound effects that give pages rhythm.

Second half is Yamada Kintetsu. His thing is readability. He says 80% of it is decided in the name (storyboard), and he proves it. He takes a bad name, fixes bubble order, character positions, and background density, and suddenly the same story flows. You learn eye flow control in practice: where the eye lands, where it goes next, how to not tire the reader.

He also digs into characters. How to pull from idea memos, how to bake your specific fetish points and tastes into a design so the cast feels alive, and how to grow story from how a character would act. Then full Clip Studio workflow from draft to finish, plus how to use 3D materials without making it look stiff, and how to handle covers and color pages.

You also get the real talk: schedules, editors, name revisions, what it takes to get serialized. No fluff, just shop talk from guys doing it now.

🧑‍🎓 Who this course is for

• Beginners who just started drawing manga and want a clear start-to-finish workflow
• Artists who want pro finishing tricks – whites, black-white balance, and manuscript polish
• Anyone whose pages feel hard to read and wants to fix it with eye flow and better names

🧑‍🏫 About the Author

Yamada Kintetsu is a working mangaka best known for Ase to Sekken, a hit with over 4.9 million copies in circulation. After seven years grinding before his first serialization, he moved through D-Morning to Morning, then launched Telework Yotabanashi and Kasane to Subaru. His work picked up the Tsutaya Comic Award 2nd place, the Electronic Manga Award grand prize, and a Kodansha Manga Award nomination.

He teaches with TAKUMI Sameotoko, author of Forlon Hope, Same ni Koban, and Yanko to Boshi. TAKUMI is known for catchy compositions, readable action, and lively inking, with multiple Champion newcomer awards. Together they cover both sides: pages that pop, and pages that read.

🏁 Final Result

• A finished short black-and-white manga built from an anthropomorphized character, from name to polished manuscript ready for portfolio or submission

📢 Guys, this is a Group Buy campaign, check the GBC forum thread to get access

You can find the course preview in the download section below.