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Color Grading Master Class – Filippo Cinotti

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Release date:2020, December

Author:Filippo Cinotti

Skill level:Beginner

Language:English

Exercise files:Yes

Color Grading Master Class Course | Filippo Cinotti
“Achieving the Cinematic Look” is my first complete course for Filmmakers who are looking to improve their skills in creating THE Cinematic image from shooting to color grading in Davinci Resolve.

What will it be about?

Five modules + a special one about color grading that will craft your knowledge in Filmmaking at 360 degrees, allowing you to be conscious on what you are doing.

Watch online or Download for Free

Masterclass Database
Folder 01 – Hikari
Hikari_CG_00136940_V1-0001
Hikari_CG_00135930_V1-0002
Hikari_CG_00032118_V1-0003
Hikari_CG_00087272_V1-0004
Hikari_CG_00108252_V1-0005
Hikari_CG_00050836_V1-0006
Hikari_CG_00121504_V1-0007
timeline_files.7z

Folder 02 – Blue
flat_timeline_blue_422

Folder 03 – CC & CG
VMUME_CG_CLIP_01
VMUME_CG_CLIP_02
VMUME_CG_CLIP_03
VMUME_CG_CLIP_04
VMUME_CG_CLIP_05
VMUME_CG_CLIP_06
VMUME_CG_CLIP_07
VMUME_CG_CLIP_08
VMUME_CG_CLIP_09
VMUME_CG_CLIP_10
VMUME_CG_CLIP_11
VMUME_CG_CLIP_12
VMUME_CG_CLIP_13

Resolve Projects.7z

Module 00 – Start Here
01 – Introduction
02 – Files Location
03 – Importing Projects
04 – Setting up the enviorement

Module 01 – Davinci Resolve Workflow
06 – General Overview
07 – Setting up a Database
08 – Databases working must
09 – Settings and preferences
10 – Importing footage correctly
11 – Creating and Organizing Folders
12 – Proxy Creation
13 – Proxy Workflow
14 – Boosting up Davinci Resolve Performances

Module 02 – The Editing Room
15 – Create a Timeline
16 – Timeline Settings
17 – Importing, Exporting, Conforming Timelines
18 – Must Know Shortcuts
19 – The Effects Panel
20 – Keyframes & Time Remapping
21 – Setting up a Timeline in order to edit faster

Module 03 – Color Correction
22 – The Color Page
23 – Reading and understanding scopes
24 – Understanding white balance
25 – Where skintones sits
26 – Setting the right clip exposure
27 – Color Correcting with Primaries Wheels
28 – Match clips between different cameras
29 – Using Split Screen to match clips
30 – Creating exporting and applying stills
31 – Creating, exporting, applying a node tree
32 – Local and remote grades
33 – The LUTs Folder
34 – Applying and exporting LUTs

Module 04 – Colorist’s Secret Tools
39 – Primaries Correction
40 – Secondaries Correction
41 – Re-positioning, key framing, tracking
42 – Qualification 101
43 – Complete guide to nodes

Module 05 – Color Grading
44 – Understanding the Color Grading with Primaries Wheels & Color Wheels
45 – Memory Colors Skyes
46 – Memory Colors Greens
47 – Memory Colors Skintones
48 – Deep control of Contrast
49 – Animating Grades
50 – Artificial Lights
51 – Skintones digital retouching
52 – Shot Matching
AAA Mindset before Color Grading

Module 06 – Creating the Looks
53 – Hollywood Color Look
54 – Orange & Teal Look
55 – Sci-fi Look
56 – Netflix Vintage Look
57 – Noir Look
58 – Bleach Bypass Look
59 – Day for Night Look
60 – ADS Pop Look
AAA Mindset before Creating a Look

Module 07 – Clips Finalization
61 – Clips Cleanup
62 – Data burn in
63 – Right camera settings on the right project
64 – Broadcast Safe
65 – Best export settings for web
66 – Loseless export for hi-end results
67 – Previewing Exports
Ending video


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5 Comments

  1. Hey… some of the links are not working…
    can you look towards these please… Thank you

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