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Sculpting a Portrait from Imagination by Ed Fraughton

Sculpting a Portrait from Imagination by Ed Fraughton

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Author:Ed Fraughton

Duration:8h 34m 51s

Release date:2013

Publisher:New Masters Academy

Skill level:Intermediate

Language:English

Exercise files:Yes

Software:Chavant Oil-Based Clay

Course URL:https://www.nma.art/videolessons/sculpting-a-portrait-from-imagination/

Learn to sculpt a lifelike portrait from imagination with master sculptor Ed Fraughton, covering anatomy, construction, and expressive design.

Master sculptor Ed Fraughton guides you through the entire process of sculpting a portrait from imagination. This isn’t about copying a photo—it’s about building a head from the ground up, using anatomy and proportion to create a believable, expressive face. You’ll work with Chavant Oil-Based Clay and learn how to block in the skull, layer muscles, and refine features until the portrait takes on its own personality. By the end, you’ll have a complete bust and a solid understanding of how to approach any portrait project.

🎯 What you’ll learn

  • Build a portrait from imagination using anatomical landmarks
  • Block in the skull and key facial muscles
  • Refine features like eyes, nose, and lips for realism
  • Adjust proportions and expressions as the sculpture evolves
  • Apply finishing techniques for texture and form

✅ Requirements

  • Skills: Basic understanding of 3D forms and human anatomy
  • Tools: Chavant Oil-Based Clay, sculpting tools, armature
  • Hardware: A sturdy work surface, good lighting

📝 Description

This course is a deep dive into the art of portrait sculpting, taught by a master who has spent decades perfecting his craft. Ed Fraughton doesn’t just show you how to copy a reference—he teaches you how to think like a sculptor. You’ll start with an armature and a block of clay, then systematically build the skull, neck, and facial muscles. The process is iterative: you’ll make adjustments, refine proportions, and even change the direction of the piece as it evolves.

What sets this course apart is the emphasis on anatomy and proportion. Ed breaks down the head into its structural elements, explaining how the bones and muscles work together to create a believable face. He also covers the “heroic proportions” used by Greek sculptors, giving you a historical context for your work. The lessons are practical and hands-on, with Ed working in real-time so you can see exactly how he solves problems.

The course also explores the creative side of sculpture. Ed demonstrates how to take a portrait in a different direction, transforming it into a character like Indian Chief Quanah Parker. This isn’t just about technique—it’s about finding the personality in the clay. You’ll learn how to use soft edges, lighting, and texture to give your portrait life.

🧑‍🎓 Who this course is for

  • Sculptors who want to move beyond copying references and create original portraits
  • Artists looking to deepen their understanding of facial anatomy and proportion
  • Anyone interested in traditional clay sculpting techniques

🧑‍🏫 About the Author

Ed Fraughton is a world-renowned sculptor with a career spanning over 50 years. He is best known for his monumental public sculptures, including the “Pioneer Woman” statue and works for the National Cowboy & Western Heritage Museum. Ed has taught at the Art Students League of New York and has been a featured instructor at New Masters Academy. His approach combines classical techniques with a modern, expressive sensibility, making him a sought-after mentor for sculptors at all levels.

🏁 Final Result

  • A complete clay portrait bust from imagination, with refined facial features, textured hair, and a strong sense of character.
Curriculum

📋 Course content

  1. Module 1: Foundations and Armature
    • Lesson Overview0:51
    • Methods for Studying Your Subject10:32
    • Covering the Armature with Clay4:44
    • Blocking in the Skull8:13
  2. Module 2: Neck and Facial Construction
    • Laying in Key Muscles of the Neck7:23
    • Continuing to Construct the Neck11:25
    • Refining the Dominant Muscles of the Face9:34
    • The Proportions of the Head7:46
    • An Overview of Human Proportions11:01
    • The Structural Elements of the Face9:23
    • The Head From a Profile View9:50
    • The Anatomy of the Features9:27
  3. Module 3: Refining Features
    • Building the Muscles of the Face and the Eyes10:42
    • Refining the Nose and Adding to the Back of the Neck11:40
    • “Heroic Proportions” of the Greeks11:28
    • Adding the Ears and Refining the Lips12:01
    • Subtle Differences in People’s Facial Features10:36
    • Building Up the Opposite Side of the Face12:17
    • Giving the Mouth a More Realistic Expression11:10
    • Making Major Adjustments to Your Sculpture11:38
    • Mass in the Hair11:31
  4. Module 4: Advanced Techniques and Expression
    • Refining Specific Areas of the Sculpture12:14
    • Sculpting Materials and their Impact on the Final Work8:57
    • Fine-Tuning the Eyes10:56
    • Making Major Changes to Your Sculpture11:27
    • The Process of Adding Skin11:24
    • Retouching Facial Features10:43
    • Making Minor Corrections of the Features11:49
    • Refining the Neck, Back, and Shoulders10:51
    • Refining the Characteristics of the Head15:02
  5. Module 5: Creative Direction and Final Touches
    • Taking Your Sculpture in a Different Direction11:22
    • The Importance of Being Willing to Alter Your Sculpture10:11
    • Changing the Position of the Shoulders11:32
    • Redefining the Eyes and Lips10:39
    • The Effect of Lighting Conditions on Your Sculpture11:33
    • Different Types of Clay and their Various Uses11:03
    • The Erosion of the Temporal Ridge and How to Correct it11:23
    • Establishing the Widest Part of the Head11:01
    • Giving Your Portrait Expression10:38
    • Utilizing Soft Edges to Suggest Facial Structure11:36
    • Fine Adjustments of the Features8:42
    • Transforming the Portrait into Indian Chief Quanah Parker12:19
    • Replacing the Shoulder Structure by Adjusting the Armature9:48
    • Defining the Shoulder Girdle10:48
    • Adjusting the Hair to Add More Form11:16
    • Adding Texture to the Braids11:08
    • The Role of Dedication in Sculpture10:45
    • Refining the Portrait to Acquire a Natural Curve11:12
    • Applying the Finishing Touches to the Portrait
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Sculpting a Portrait from Imagination by Ed Fraughton
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