Vibrant Candy Style Skillset by Efficient 3D Lighting Assistance by Yeej Chan

This class is built around one problem: your colors go muddy the longer you paint, and the tonal structure you had in the sketch slowly collapses under layer after layer of non-outline coloring. Yeej Chan solves it by locking the lighting down first, using Blender to block the scene and read the light direction, then taking that information back into Photoshop to render with confidence. Candy-bright saturation, transparent skin and cloth, and two-tone shading that actually holds up at full resolution — all of it runs on a fixed, repeatable pipeline instead of intuition.

🎯 What you’ll learn

• Build clean, luminous, high-saturation color schemes without the muddy mid-tones that kill beginner illustrations
• Use Blender to block out scenes, check lighting angle and shadow structure, and keep perspective honest from sketch to final render
• Construct female heads correctly, place facial features, and render skin with believable volume
• Draw hair as large masses first, then layer light and shadow to get wind movement and depth
• Handle hands, legs, and clothing folds so fabric reads as weight rather than decoration
• Run a full illustration from concept sketch through color rough, line cleanup, rendering, and final filter and color-balance pass

✅ Requirements

• Skills: Comfort navigating Photoshop layers, plus basic drawing fundamentals (proportions, value, simple perspective)
• Tools: Adobe Photoshop 2023, Blender 4.5, a pressure-sensitive drawing tablet
• Hardware: A machine that runs Photoshop and Blender 4.5 smoothly; a dedicated GPU is strongly recommended for the 3D viewport work

📝 Description

Most people hit the same wall with non-outline coloring: the more layers you stack, the muddier everything gets, and the structure you carefully drew in the sketch quietly falls apart. Yeej Chan’s answer is to lock the light and shadow down first, then protect that foundation with Blender. You block the scene in 3D, read where the light actually falls, and only then go back into Photoshop and push the rendering.

The course walks from drawing fundamentals — composition, line rhythm, the five value tones — into head construction, hair, hands, legs, and clothing folds. Nothing is theory for its own sake; each chapter ends with something you draw. The two-tone shading approach keeps your values readable no matter how saturated the palette gets, and the hidden-color and transparency tricks are what stop a bright scheme from turning into a glowing mess.

The last module puts all of it together on a single illustration: concept, sketch, 3D lighting reference, color rough, clean line art, rendering pass, background, and the final color grade. You also get the PSDs, the Blender files, custom brushes, and a transparent-color swatch set, so you can open the source files and reverse-engineer every decision instead of guessing at it.

🧑‍🎓 Who this course is for

• Beginners who have painted before but keep ending up with dull, muddy color and no idea where it went wrong
• Hobbyists whose coloring workflow is entirely improvised — no fixed layer order, no plan, no consistency between pieces
• Fan artists and creators who want to bring 3D lighting references into their 2D process without it looking like a 3D render
• Illustrators preparing portfolio pieces and needing reliable quality on every finished image

🧑‍🏫 About the Author

Yeej Chan is a freelance illustrator and YouTuber with around 262K subscribers, known for a clean, warm, transparent take on non-outline coloring and for character work that sits comfortably inside its environment instead of on top of it. Her client list includes official illustration work for Azur Lane, Miracle Nikki, a third-anniversary congratulatory piece for GODDESS OF VICTORY: NIKKE, plus illustrations for Neverness to Everness and AFK Journey, and VTuber character designs for larrybear and Amase Io.

She built this class around the thing she actually does in production: designing light and color direction deliberately rather than by feel, and using Blender as a support tool to test lighting and perspective instead of as a rendering crutch. The curriculum is her own working pipeline, not a theory course.

🏁 Final Result

• A finished character portrait illustration with clean two-tone lighting, readable value structure, and a candy-bright, non-muddy color scheme
• A full narrative illustration combining a designed character with a rendered background, built from sketch through 3D lighting reference to final color-grade pass
• A reusable workflow — layer plan, Blender lighting check, overpainting order — that you can run on your own projects
• Working knowledge of the PSDs, Blender files, custom brushes, and transparent-color swatch set provided with

📢 Guys, this is a Group Buy campaign, check the GBC forum thread to get access

You can find the course preview in the download section below.