Mixing Light Color Tutorials Collection
Release date:2021
Author:Mixing Light
Skill level:Beginner
Language:English
Exercise files:Yes
Color Grading Tutorial Library
An ever-growing membership library of color grading video tutorials, articles and podcasts. Our Insights collection keeps growing and you keep honing your skills.
Adding Grain Efficiently Using The Overlay Blending Mode
Adding Some Clarity- 3 Different Methods
Advanced Beauty Grading – Stills Techniques
Advanced Beauty Grading Part One
Advanced Windows – Difficult Shape Masking
Bad TV- Essential Steps For Creating The Bad TV Look
Behind The Curtain – Bread Short Film Part One
Behind the Curtain – Commercial #1- From Base Grade to Final Look
Behind the Curtain – Commercial #2- From Base Grade to Final Look
Behind The Curtain – Liberty Commercials Sun vs No Sun
Behind The Curtain – Live Concert Grade
Behind The Curtain – Refining and Enhancing _Bread_
Behind The Curtain – Shot Matching _Bread_
Behind The Curtain – Thrice The Grey
Best Exposure From Your Raw Files
Building A Show LUT to Keep Your Looks Consistent
Color Correcting Using New Software – Have Confidence In Yourself
Color Warper 101 – Concepts and Interface Fundamentals
Color Warper 101 Part 2- Managing Points _ Pins + Chroma-Luma Panel
Color Warper 101 Part 3- Creating Looks (Plus A Grading Challenge)
Combining Shared Nodes and Group Grades – Applying CSTs, Looks and, LUTs
Conforming In DaVinci Resolve – Solving Sync _ Frame Rate Problems
Controlling Saturation in DaVinci Resolve
Creating a _Film Look_ and Managing Film Grain
Creating An S-Curve Using The Contrast _ Pivot Controls
Creating Skin Contrast With High_Low Key Techniques
Creating the Classic Black and White Look By Thinking Like A Colorist
Creating Your Own Fusion Effects Plug-ins with DaVinci Resolve 17
Creative Grading – Retro Sci-fi Look
Custom ACES Part 4- Updating For Resolve 17
DaVinci Resolve Compound Nodes- Efficiently Managing Looks
Developing Looks And Settling On Your Exposure Levels
Dirty Color Grading Looks – Taking Your Image To The Limit
Dirty Looks – Emulating Early Film Looks with Light Leaks
Dirty Looks – Looks Throughout The Ages
Dirty Looks- Early _00s Looks
Exploring XML Conform Options in DaVinci Resolve
Exporting LAB LUTs from Photoshop- Does it work-
Feature Inspired Color Grading Looks – Blade Runner 2049
Finishing In Resolve – Reframing, Blanking _ Delivering
Frequency Seperation – An Introduction
From Client Hard Drive to XML Export- Prepping a Timeline
From The Grading Room Grading Underwater Footage
From The Grading Room- Turning A Session Around
Getting Up To Speed On Resolve 17’s New Proxy Workflow
Grade Breakdown – Challenge Your Imagination
Grade Rescue – Saving A DSLR Moving Portrait
Grading A Short Film Part 2 – Testing The Feel Of The Footage
Grading The White Cyc Stand Up – When White Is Not White
HDR Palette – Using Multiple Zones, Contrast, Presets, Global Control
HDR Palette 101 – Resolve Color Management 2.0 + Contrast Controls
How A Colorist Makes Decisions Through The Grading Process
How Do You Use Resolve_s Parallel and Layer Mixer Nodes-
How Do Zones Work in Resolve 17_s New HDR Palette-
How To (Improperly) Export LUTs in DaVinci Resolve 15
How To Combine Group Grades With Shared Nodes While Avoiding The Pitfalls
How to create a light, airy feel by dropping the midtones
How to Handle Scaling in XML Workflows for Premiere Pro CC
How to Protect Skin Tones While Color Grading with a Heavy Look
How To White Balance Shots Using Common Color Correction Tools
How to Work with Color Charts in DaVinci Resolve 14
In Action- Working With The Key Mixer In DaVinci Resolve
Infrared Look – Emulating Aerochrome
Inside the Color Grade Of A Furniture Brand – Series Overview
Inspiration – Color Grading Methods In A Fashion Commercial
Inspired By Lacoste, Timeless – Learning From An Award Winning Grade
Is Your ARRI Alexa Mini Color Pipeline Properly Set in ACES-
LAB Color in DaVinci Resolve – Foundations Part 2
LAB Color in DaVinci Resolve- Is it effective-
LAB Colorspace- An Introduction (using DaVinci Resolve 11)
Look Inspiration – Adding To The Narrative In A Flashback
Look Inspiration – B_W Looks
Look Inspiration – Colorized Film Look
Look Inspiration – Metallic Monochrome
Look Inspiration – Warm Commercial Look
Matching Pantone References – And When To Say No
Neo Noir B_W – Using Hardlight Blending Mode
Node Tree Compositing- Building A Green Screen Shot In One Node Tree
Nodes 101 – Mastering DaVinci Resolve’s Serial Node
Photochemical Grading – Part Two
Practical Beauty Color Grading Level One- Quick and Effective
Rebooting Your Eyes – How To Step Back From Your Grade
Rediscover The Basics – Advanced Node Operations
Rediscover The Basics – Color Temperature
Rediscover The Basics – Contrast
Rediscover The Basics – Defining Texture In Your Image
Rediscover The Basics – Fixing Exposure Shifts
Rediscover The Basics – Saturation
Resolve 17 Big Little Features- Part 2 – The Edit Page
Resolve 17- Big Little Features Part 1 – The Color Page
Resolve Color Management Tips and Pat_s Fixed Node Tree
Saving The Day With Input Sizing in DaVinci Resolve
Shot Matching – Working With Skin Tone
Should You Go For That Film Look Or Embrace The Digital Clean Look-
Skin Tone Essentials- Hands, Arms, Legs and Feet Part One
Sky Replacement – Is It An Essential Skill For Colorists-
Tales From The Grading Suite – Lighting The Looks
The 10-Minute Grade- Shot Balancing (updated)
Thinking Like A Colorist – Color Correcting A Forest Scene
Thinking Like A Colorist – Considering Final Contrast Pt 1
Thinking Like A Colorist – The _Final Grade_
Thinking Like A Colorist- Breaking Down the Western Scene
Two Ways of Using DaVinci Resolve_s Parallel Mixer Node
Understanding the Premiere to DaVinci Resolve Image Sizing Handoff
Using DaVinci Resolve_s _Offline Reference Clip_ to Conform Timelines
Using Log Controls As A Secondary Correction
Using Playheads – Working Faster In DaVinci Resolve_s Color Page
Using Post-Clip Grouping As A Timeline Grading Alternative
Warm Looks- Yellow Warmth Vs Red Warmth (which are you-)
White Balancing Shots and Solving Common Problems
Why We Love LUTs and How To Replace Your LUT Addiction
Why You Need to Master the _Frame Size_ Option in Premiere Pro CC
Working With Reference Images Part 2- Evaluating Camera Source Footage
Working With Reference Images Part3- Building The Look
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