Ad Clicks : Ad Views : Ad Clicks : Ad Views : Ad Clicks : Ad Views : Ad Clicks : Ad Views :
Oh Snap!

It looks like you're using an adblocker. Adblockers make us sad. We use ads to keep our content happy and free. If you like what we are doing please consider supporting us by whitelisting our website. You can report badly-behaved ads by clicking/tapping the nearby 'Advertisement' X text.

Building a Powerful Comic Book Portfolio

/

Release date:2009, February 20

Author:Alvin Lee

Skill level:Beginner

Language:English

Exercise files:Yes

In this lesson I will begin by running through all the necessary tools you will need for this course. From the proper drafting pencil to use, using a french curve, down to basic photoshop skills to scan and remove non-photo blue from the penciled page. All of the different tools you will need as a professional will be covered during this lesson. After you have been familiarized with the tools I will move forward to analyzing a script with you where you will be thumb-nailing layouts of a page, providing me with several different variations of trial and error until you have the strongest layout and why. Strong storytelling will be the foundation of this assignment.

You will be introduced to the hero and his unique features. I will cover the basic anatomy of a Hero and from there you will be completing a turnaround of the Hero that I provide for you mimicking my own personal style. This will be a test of consistency and accuracy, you will learn the fundamentals of having to draw the same character repeatedly in different angles. I will teach you how to do render a proper turnaround with the usage of guidelines which will be repeated on the hero’s face.

I will introduce you to drawing the heroine and the delicacy of a woman’s figure. More importantly which lines to keep, which to take away. You will be repeating the same process and completing a turnaround of a full figure drawing I provide for you. Again you will be replicating my style but doing so in different angles to test your ability to create consistently out of your own comfort zone. I will also be covering the alluring features of a woman’s face.

After you have been accustomed to penciling the fundamentals of a comic book character we will then move on to explore the excitement of exaggeration. During this lesson I will show you interesting ways to encourage your creativity with human anatomy, especially for comicbooks. I will be providing you with a drawing of a disproportionate figure and you will be analyzing that in the form of a turnaround. After that is completed we will move on to dynamic foreshortening. I will be showing you different techniques to really make something look like it is coming towards the viewer. We will be completing a study on both arms and legs and how to foreshorten them properly.

The complete penciler must know how to draw not only realistic hands but also powerful ones. In this lesson I will be showing you tricks I have learned during my career to help you understand hands, how they work and how to exaggerate them to create a desired emotional effect. During this lesson you will also be doing a study on the expressions of your own hands and using them as your own lifedrawing tool. Those principles will be applied to a set of exaggerated comic book hands, to test your understanding and consistency.

This lesson will cover everything from the basics of light and shadow to the intricacies of detailing a page using different comicbook styles. The different techniques covered will include using hard shadows to define a character, crosshatching to create shades of dark to light, minimalistic lineart and texturing for different surface materials. Those individual comic styles will be put to the test on basic shapes to demonstrate each’s properties which will then be applied to the human figure.

During this class you will learn the techniques of using a lightbox when enlarging a thumbnail. I will show you how to complete an accurate perspective grid so that you characters coincide with the backgrounds properly to avoid mishaps. I will be covering the importance of using the copy, trim and bleed lines on a comicboard and lastly I will have you enlarge your own layout previously provided to me in Lesson 1 and prepare the page for the penciling phase.

In this lesson you will be introduced to the establishing panel. The one panel that will showcase your versatility in drawing environments that surround your characters. I will be showing you different techniques in using perspective grids and also the application of textures for different surfaces. I will be providing you with a floorplan of an environment in which I will be helping you create the elevation. I will also be showing you tricks of the trade in making backgrounds easier for you, especially when you are limited in time. Also I will be covering a brief segment on the usage of speedlines.

Everything we have covered during the previous 8 lessons will be culminated into this final lesson! Just to give you an idea, you will be applying the light and shadow techniques in lesson 6 on the layout you provided in Lesson 1 on the page you enlarged in lesson 7. The Hero and the Heroine from lessons 2 and 3 will be drawn on the final page using one of the unique comic penciling styles and the end result will be a completed penciled page, packed with everything a powerful comicbook portfolio should include!

Table of Contents

Lesson 1: Introduction to Tools and Script Analysis
Lesson 2: The Hero
Lesson 3: The Heroine
Lesson 4: Exaggerated Proportions and Foreshortening
Lesson 5: Dynamic Hands
Lesson 6: Detailing and Textures
Lesson 7: Lightboxing and Perspective Guidelines
Lesson 8: Backgrounds
Lesson 9: Penciling

Watch online or Download for Free

Lesson 1 – The Hero
Lesson 1 – The Hero Part 01
Lesson 1 – The Hero Part 02
Lesson 1 – The Hero Part 03
Lesson 1 – The Hero Part 04
Lesson 1 – The Hero Part 05
Lesson 1 – The Hero Part 06
Lesson 1 – The Hero Part 07
Lesson 1 – The Hero Part 08
Lesson 1 – The Hero Part 09
Lesson 1 – The Hero Part 10
Lesson 1 – The Hero Part 11
Lesson 1 – The Hero Part 12
Lesson 1 – The Hero Part 13
Lesson 1 – The Hero Part 14
Lesson 1 – The Hero Part 15
Lesson 1 – The Hero Part 16
Lesson 1 – The Hero Part 17
Lesson 1 – The Hero Part 18
Lesson 1 – The Hero Part 19
Lesson 1 – The Hero Part 20
Lesson 1 – The Hero Part 21
Lesson 1 – The Hero Part 22
Lesson 1 – The Hero Part 23
Lesson 1 – The Hero Part 24
Lesson 1 – The Hero Part 25
Lesson 1 – The Hero Part 26
Lesson 1 – The Hero Part 27
Lesson 1 – The Hero Part 28
Lesson 1 – The Hero Part 29
Lesson 1 – The Hero Part 30
Lesson 1 – The Hero Part 31
Lesson 1 – The Hero Part 32
Lesson 1 – The Hero Part 33

Lesson 2 – The Heroine
Lesson 2 – The Heroine Part 01
Lesson 2 – The Heroine Part 02
Lesson 2 – The Heroine Part 03
Lesson 2 – The Heroine Part 04
Lesson 2 – The Heroine Part 05
Lesson 2 – The Heroine Part 06
Lesson 2 – The Heroine Part 07
Lesson 2 – The Heroine Part 08
Lesson 2 – The Heroine Part 09
Lesson 2 – The Heroine Part 10
Lesson 2 – The Heroine Part 11
Lesson 2 – The Heroine Part 12
Lesson 2 – The Heroine Part 13
Lesson 2 – The Heroine Part 14
Lesson 2 – The Heroine Part 15
Lesson 2 – The Heroine Part 16
Lesson 2 – The Heroine Part 17
Lesson 2 – The Heroine Part 18
Lesson 2 – The Heroine Part 19
Lesson 2 – The Heroine Part 20
Lesson 2 – The Heroine Part 21
Lesson 2 – The Heroine Part 22
Lesson 2 – The Heroine Part 23
Lesson 2 – The Heroine Part 24
Lesson 2 – The Heroine Part 25
Lesson 2 – The Heroine Part 26
Lesson 2 – The Heroine Part 27

Lesson 3 – Exaggerated Proportions and Foreshortening
Lesson 3 – Exaggerated Proportions and Foreshortening Part 01
Lesson 3 – Exaggerated Proportions and Foreshortening Part 02
Lesson 3 – Exaggerated Proportions and Foreshortening Part 03
Lesson 3 – Exaggerated Proportions and Foreshortening Part 04
Lesson 3 – Exaggerated Proportions and Foreshortening Part 05
Lesson 3 – Exaggerated Proportions and Foreshortening Part 06
Lesson 3 – Exaggerated Proportions and Foreshortening Part 07
Lesson 3 – Exaggerated Proportions and Foreshortening Part 08
Lesson 3 – Exaggerated Proportions and Foreshortening Part 09
Lesson 3 – Exaggerated Proportions and Foreshortening Part 10
Lesson 3 – Exaggerated Proportions and Foreshortening Part 11
Lesson 3 – Exaggerated Proportions and Foreshortening Part 12
Lesson 3 – Exaggerated Proportions and Foreshortening Part 13
Lesson 3 – Exaggerated Proportions and Foreshortening Part 14
Lesson 3 – Exaggerated Proportions and Foreshortening Part 15
Lesson 3 – Exaggerated Proportions and Foreshortening Part 16
Lesson 3 – Exaggerated Proportions and Foreshortening Part 17
Lesson 3 – Exaggerated Proportions and Foreshortening Part 18
Lesson 3 – Exaggerated Proportions and Foreshortening Part 19

Lesson 4 – Dynamic Hands
Lesson 4 – Dynamic Hands Part 01
Lesson 4 – Dynamic Hands Part 02
Lesson 4 – Dynamic Hands Part 03
Lesson 4 – Dynamic Hands Part 04
Lesson 4 – Dynamic Hands Part 05
Lesson 4 – Dynamic Hands Part 06
Lesson 4 – Dynamic Hands Part 07
Lesson 4 – Dynamic Hands Part 08
Lesson 4 – Dynamic Hands Part 09
Lesson 4 – Dynamic Hands Part 10
Lesson 4 – Dynamic Hands Part 11
Lesson 4 – Dynamic Hands Part 12
Lesson 4 – Dynamic Hands Part 13
Lesson 4 – Dynamic Hands Part 14
Lesson 4 – Dynamic Hands Part 15
Lesson 4 – Dynamic Hands Part 16
Lesson 4 – Dynamic Hands Part 17
Lesson 4 – Dynamic Hands Part 18
Lesson 4 – Dynamic Hands Part 19
Lesson 4 – Dynamic Hands Part 20
Lesson 4 – Dynamic Hands Part 21
Lesson 4 – Dynamic Hands Part 22
Lesson 4 – Dynamic Hands Part 23

Lesson 5 – Adding Volume and Texture
Lesson 5 – Adding Volume and Texture Part 01
Lesson 5 – Adding Volume and Texture Part 02
Lesson 5 – Adding Volume and Texture Part 03
Lesson 5 – Adding Volume and Texture Part 04
Lesson 5 – Adding Volume and Texture Part 05
Lesson 5 – Adding Volume and Texture Part 06
Lesson 5 – Adding Volume and Texture Part 07
Lesson 5 – Adding Volume and Texture Part 08
Lesson 5 – Adding Volume and Texture Part 09
Lesson 5 – Adding Volume and Texture Part 10
Lesson 5 – Adding Volume and Texture Part 11
Lesson 5 – Adding Volume and Texture Part 12
Lesson 5 – Adding Volume and Texture Part 13
Lesson 5 – Adding Volume and Texture Part 14
Lesson 5 – Adding Volume and Texture Part 15
Lesson 5 – Adding Volume and Texture Part 16
Lesson 5 – Adding Volume and Texture Part 17
Lesson 5 – Adding Volume and Texture Part 18
Lesson 5 – Adding Volume and Texture Part 19
Lesson 5 – Adding Volume and Texture Part 20
Lesson 5 – Adding Volume and Texture Part 21
Lesson 5 – Adding Volume and Texture Part 22

Lesson 6 – Script Analysis, Storytelling and Layout
Lesson 6 – Script Analysis, Storytelling and Layout Part 01
Lesson 6 – Script Analysis, Storytelling and Layout Part 02
Lesson 6 – Script Analysis, Storytelling and Layout Part 03
Lesson 6 – Script Analysis, Storytelling and Layout Part 04
Lesson 6 – Script Analysis, Storytelling and Layout Part 05
Lesson 6 – Script Analysis, Storytelling and Layout Part 06
Lesson 6 – Script Analysis, Storytelling and Layout Part 07
Lesson 6 – Script Analysis, Storytelling and Layout Part 08
Lesson 6 – Script Analysis, Storytelling and Layout Part 09
Lesson 6 – Script Analysis, Storytelling and Layout Part 10
Lesson 6 – Script Analysis, Storytelling and Layout Part 11
Lesson 6 – Script Analysis, Storytelling and Layout Part 12
Lesson 6 – Script Analysis, Storytelling and Layout Part 13
Lesson 6 – Script Analysis, Storytelling and Layout Part 14
Lesson 6 – Script Analysis, Storytelling and Layout Part 15
Lesson 6 – Script Analysis, Storytelling and Layout Part 16
Lesson 6 – Script Analysis, Storytelling and Layout Part 17
Lesson 6 – Script Analysis, Storytelling and Layout Part 18
Lesson 6 – Script Analysis, Storytelling and Layout Part 19
Lesson 6 – Script Analysis, Storytelling and Layout Part 20
Lesson 6 – Script Analysis, Storytelling and Layout Part 21
Lesson 6 – Script Analysis, Storytelling and Layout Part 22
Lesson 6 – Script Analysis, Storytelling and Layout Part 23
Lesson 6 – Script Analysis, Storytelling and Layout Part 24
Lesson 6 – Script Analysis, Storytelling and Layout Part 25
Lesson 6 – Script Analysis, Storytelling and Layout Part 26
Lesson 6 – Script Analysis, Storytelling and Layout Part 27
Lesson 6 – Script Analysis, Storytelling and Layout Part 28
Lesson 6 – Script Analysis, Storytelling and Layout Part 29
Lesson 6 – Script Analysis, Storytelling and Layout Part 30
Lesson 6 – Script Analysis, Storytelling and Layout Part 31
Lesson 6 – Script Analysis, Storytelling and Layout Part 32
Lesson 6 – Script Analysis, Storytelling and Layout Part 33
Lesson 6 – Script Analysis, Storytelling and Layout Part 34
Lesson 6 – Script Analysis, Storytelling and Layout Part 35
Lesson 6 – Script Analysis, Storytelling and Layout Part 36
Lesson 6 – Script Analysis, Storytelling and Layout Part 37
Lesson 6 – Script Analysis, Storytelling and Layout Part 38
Lesson 6 – Script Analysis, Storytelling and Layout Part 39
Lesson 6 – Script Analysis, Storytelling and Layout Part 40

Lesson 7 – Lightboxing, Perspective Guidelines & Finishes
Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 01
Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 02
Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 03
Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 04
Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 05
Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 06
Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 07
Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 08
Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 09
Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 10
Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 11
Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 12
Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 13
Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 14
Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 15
Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 16
Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 17
Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 18
Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 19
Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 20
Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 21
Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 22
Lesson 7 – Lightboxing, Perspective Guidelines & Finishes Part 23

Lesson 8 – Backgrounds
Lesson 8 – Backgrounds Part 01
Lesson 8 – Backgrounds Part 02
Lesson 8 – Backgrounds Part 03
Lesson 8 – Backgrounds Part 04
Lesson 8 – Backgrounds Part 05
Lesson 8 – Backgrounds Part 06
Lesson 8 – Backgrounds Part 07
Lesson 8 – Backgrounds Part 08
Lesson 8 – Backgrounds Part 09
Lesson 8 – Backgrounds Part 10
Lesson 8 – Backgrounds Part 11
Lesson 8 – Backgrounds Part 12
Lesson 8 – Backgrounds Part 13
Lesson 8 – Backgrounds Part 14
Lesson 8 – Backgrounds Part 15
Lesson 8 – Backgrounds Part 16
Lesson 8 – Backgrounds Part 17
Lesson 8 – Backgrounds Part 18

Lesson 9 – Penciling
Lesson 9 – Penciling Part 01
Lesson 9 – Penciling Part 02
Lesson 9 – Penciling Part 03
Lesson 9 – Penciling Part 04
Lesson 9 – Penciling Part 05
Lesson 9 – Penciling Part 06
Lesson 9 – Penciling Part 07
Lesson 9 – Penciling Part 08
Lesson 9 – Penciling Part 09
Lesson 9 – Penciling Part 10
Lesson 9 – Penciling Part 11
Lesson 9 – Penciling Part 12
Lesson 9 – Penciling Part 13
Lesson 9 – Penciling Part 14
Lesson 9 – Penciling Part 15
Lesson 9 – Penciling Part 16
Lesson 9 – Penciling Part 17

assignments.zip
lessonPlan.zip


Join us on
  Channel    and      Group

  • Facebook
  • Twitter
  • Google+
  • Linkedin
  • Pinterest

5 Comments

  1. Thanks. Good course, even the quality video is not good.

    Also i’m curious about this course. Do you have it?
    https://www.21-draw.com/course/posing-for-character-design/

Leave a Comment

Your email address will not be published. Required fields are marked *