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Fundamentals of Drawing and Perspective by Renae Wang

Fundamentals of Drawing and Perspective by Renae Wang

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Author:Renae Wang

Duration:10 weeks

Actual Duration:19h 0m

Release date:2023

Publisher:New Masters Academy

Skill level:Beginner

Language:English

Exercise files:Yes

Software:Traditional Drawing

Course URL:https://www.nma.art/courses/fundamentals-of-drawing-and-perspective/

A 10-week beginner-friendly drawing course covering observational techniques, linear perspective, and tonal value systems to create convincing still-lifes and interiors.

This 10-week course strips drawing back to what actually matters: seeing, measuring, and building forms that feel solid on a flat page. Renae Wang walks you through the entire process, starting with basic contour drawings and finishing with complex, multisession tonal still-lifes. No prior experience needed—just a willingness to look closely and put in the practice.

🎯 What you’ll learn

  • Create accurate contour drawings of organic and geometric objects
  • Apply one-, two-, and three-point perspective to draw interiors
  • Use plumb lines and cross-contours to construct three-dimensional forms
  • Understand light logic and value systems using toned paper
  • Develop a three-value statement for still-life compositions
  • Complete a long, multisession tonal drawing with hierarchy and detail

✅ Requirements

  • Skills: No prior drawing experience required; this course is beginner friendly
  • Tools: Traditional drawing materials (full list provided in lesson PDFs), including charcoal, white chalk, toned paper, and basic drawing supplies
  • Hardware: A well-lit workspace; a drawing board or easel is recommended

📝 Description

This course is built around a simple idea: drawing is a skill you can learn, not a talent you’re born with. Renae Wang breaks down the process into manageable weekly steps, so you’re never overwhelmed. You’ll start with the basics—materials, contour lines, and simple shapes—and gradually build up to more complex challenges like perspective interiors and full tonal renderings.

Artist drawing a still-life arrangement of geometric and organic objects on toned paper using charcoal and white chalk.
Learn to translate three-dimensional forms onto a two-dimensional surface with confidence, from contour lines to full tonal renderings.

The teaching method here is highly practical. Each week introduces a new concept, demonstrates it clearly, and then gives you an assignment to lock it in. Renae emphasizes the importance of observational drawing throughout, teaching you to see the world as a series of forms, values, and spatial relationships rather than just outlines. You’ll learn to measure accurately, plan your compositions, and use linear perspective to create believable depth.

What sets this course apart is its focus on traditional media. Working with charcoal and toned paper forces you to think in terms of value and light logic from day one. You’ll learn how to construct a drawing from the ground up, using plumb lines and cross-contours to ensure accuracy before you ever pick up a shading tool. By the final weeks, you’ll be tackling complex still-lifes that require multiple sessions, learning how to maintain consistency and create visual hierarchy across a long project.

The course is structured to be flexible. While traditional materials are recommended, the fundamental principles translate directly to digital tools like Photoshop or Procreate. If you’re a digital artist looking to strengthen your foundational skills, you can easily adapt the exercises to your preferred software.

🧑‍🎓 Who this course is for

  • Complete beginners who want a structured, no-nonsense introduction to drawing
  • Self-taught artists looking to fill gaps in their understanding of perspective and value
  • Digital artists who want to strengthen their traditional fundamentals
  • Anyone preparing for more advanced figure drawing or environment design courses

🧑‍🏫 About the Author

Renae Wang is an instructor at New Masters Academy, where she teaches drawing fundamentals with a focus on observational techniques and traditional media. Her approach is methodical and accessible, breaking down complex concepts into clear, repeatable steps. She brings years of experience in art education, helping students from all backgrounds develop the technical skills needed to create convincing, dimensional artwork.

🏁 Final Result

By the end of this course, you’ll have a portfolio of drawings that demonstrate your progress from basic contours to complex, multisession tonal still-lifes. You’ll be able to construct accurate geometric and organic forms, apply perspective to interiors, and render light and shadow with confidence—skills that form the backbone of all visual art.

Curriculum

📋 Course content

  1. Week 1:  Materials Overview & Contour Drawing Basics
    • Essential tools and materials
    • Primary shapes, gestures, and axis
    • Contour drawing of an organic still-life object
  2. Week 2:  Geometric Forms
    • Plumb line technique for precise construction
    • Analyzing contours with cross-contours
  3. Week 3:  Cross-Contours and Negative Shapes
    • Combining geometric and organic objects
    • Applying learned skills to a complex still-life arrangement
  4. Week 4:  Perspective Basics & Interiors in One-Point Perspective
    • Fundamentals of one, two, and three-point perspective
    • Drawing simple cubes using each technique
  5. Week 5:  Interiors in Two & Three-Point Perspective
    • Constructing a room with two- and three-point perspective
    • Identifying and using vanishing points
  6. Week 6:  Light Logic Basics
    • Fundamentals of light logic and value
    • Drawing a sphere on toned paper with charcoal and white chalk
  7. Week 7:  Three-Value Statement
    • Creating a still-life using a three-value statement
    • Understanding principles of light and shadow
  8. Week 8:  Complex Still-Life
    • Constructing a complex still-life with three-value statement and white
    • Rendering variations of local color and values
  9. Week 9:  Dark Gray Tonal Still-Life I
    • Measuring and blocking in a complex setup on dark paper
    • Achieving realistic proportions
  10. Week 10:  Dark Gray Tonal Still-Life II
    • Completing a multisession still-life drawing
    • Creating hierarchy, adding white charcoal, textures, and details
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