Part 2: Breaking Down a Difficult Shot and Using the Key Mixer As a general rule of thumb… the more experienced at color grading I become the…
Tag: Patrick Inhofer
Working with key signals in DaVinci Resolve doesn’t have to be complicated – but it’s not intuitive either. And once you get the basics down, you start…
Part 2: What Are the Proper Source and Target Settings in an ACES Workflow? In truth, setting up Color Match in ACES pipelines is remarkably simple and…
In Part 1 we’re going to explore the proper Target and Source Pull-Downs with Color Charts in RAW The explanation is easier if we separate the discussion…
Part 3: How do you know when to reach for your Temp or Tint controls? In this Insight I’m circling back to my White Balancing series after…
How to White Balance Shots 101 Part 2: Solving Common Problems (plus, the Temperature and Tint sliders) We started in Part 1 learning how to white balance…
Part 1: Using Color Wheels, Offset, Curves and Auto-Balance What is White Balance? White Balance (often called Color Balance) is an adjustment to images assuring the colors…
Ideas on color correcting RAW footage Conclusions in our Series on using RAW controls in DaVinci Resolve In two previous Insights, we’ve looked at the difference between…
Is Changing ISO in Post Production Accurate? Fixing It In Post—RAW Thought Experiments: Part 2 Note: This Insight assumes you’ve watched Part 1 of this series. While…
Changing Exposure in Post-Production: A Thought Experiment Exploring RAW Controls Part 1 Have you ever wondered if the Exposure control in your RAW controls change the image…
Understanding DaVinci Resolve 15 LUT exporting (so we can break it) When Jason Bowdach published his LUT Stress Test on Mixing Light, he had no idea how…
Reverse Engineering LUTs (Look Up Tables) Continuing in our series on Look-Up Tables, this Insight was created to answer a question asked by one of our members:…