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Raw & Log Video Production Workflows by Richard Harrington and Robbie Carman

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Release date:2017, June

Author:Richard Harringt, Robbie Carman

Skill level:Beginner

Language:English

Exercise files:Yes

Capturing video in raw or log tells the camera to record more values from a scene—meaning you’ll be able to recover more from your highlights and shadows and adjust more colors and tones in post-production. Granted, the files sizes will be bigger, and working with these file types can be a bit intimidating, but the additional adjustment options afforded to you by working in log or raw often makes capturing in any other mode a thing of the past.

In this course, join Rich Harrington as he shows you how to record video in raw and log, process the files, and complete a post-production workflow. First, Rich explains the reasons why raw and log files can be beneficial to use. Then, he shows you how to configure camera settings and start recording, monitoring along the way. Next, he covers the file transfer process so you can get the videos ready for post. Finally, he takes you through post-production editing workflows using Adobe Premiere Pro CC, Final Cut Pro X, and DaVinci Resolve. Additionally, Rich shows you some manipulation tricks.

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001 Meet your instructors
002 What you should know before watching this course
003 Using the exercise files
004 Log and raw vs. regular video
005 What is log recording_
006 Understanding different flavors of log
007 Beware of fake log
008 What is raw video recording_
009 Can I record video in both log and raw_
010 What is a lookup table (LUT)_
011 What is bit depth_
012 What is dynamic range_
013 What impact does compression have on recording_
014 Recording video in-camera or with an external recorder
015 Choosing the correct media type for recording
016 Recording with a reference chart and slate information
017 Applying a preview LUT in camera
018 Applying a LUT in monitor
019 Applying an Input LUT in your NLE
020 The role of a DIT on a professional set
021 Sony recording workflow
022 Canon recording workflow
023 Blackmagic recording workflow
024 Panasonic workflow
025 Working native or transcoded
026 Storage requirements
027 Lookup table workflows
028 Raw development strategies
029 Ingesting raw and log material in Premiere Pro
030 Creating proxy files in Premiere Pro
031 Applying and adjusting Input LUTs in Premiere Pro
032 Adjusting source settings on raw files
033 An overview of adjusting color and exposure in Premiere Pro
034 Moving raw and log material to After Effects
035 Applying a LUT in After Effects
036 Ingesting raw and log material in Final Cut Pro X
037 Creating proxy files in Final Cut Pro X
038 Applying and adjusting input LUTs in Final Cut Pro X
039 An overview of adjusting color and exposure in Final Cut Pro X
040 Ingesting footage and using Resolve Color Management
041 Creating optimized media files in Resolve
042 Applying and adjusting LUTs in Resolve
043 An overview of adjusting color and exposure in Resolve
044 Importing and exporting a LUT in Premiere Pro
045 Importing and exporting a LUT in Final Cut Pro X
046 Importing and exporting a LUT in Resolve
047 Manipulating LUTs with Lattice
048 Next steps
Raw & Log Video Production Workflows Online Class – LinkedIn – by Richard Harrington and Robbie Carman.7z.001
Raw & Log Video Production Workflows Online Class – LinkedIn – by Richard Harrington and Robbie Carman.7z.002
Raw & Log Video Production Workflows Online Class – LinkedIn – by Richard Harrington and Robbie Carman.7z.003
[Linkedin] Raw & Log Video Production Workflows by Richard Harrington and Robbie Carman_Subtitles.7z


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