Part 2: Breaking Down a Difficult Shot and Using the Key Mixer As a general rule of thumb… the more experienced at color grading I become the…
Working with key signals in DaVinci Resolve doesn’t have to be complicated – but it’s not intuitive either. And once you get the basics down, you start…
When dealing with complicated masks and multiple nodes all doing a similar job, the key mixer node can be a life saver! Its probably the least used…
LED Stage Lighting – A Colorists Worst Enemy! I thought it was time to go behind the curtain again and share another story from my suite. This…
Part 2: What Are the Proper Source and Target Settings in an ACES Workflow? In truth, setting up Color Match in ACES pipelines is remarkably simple and…
In Part 1 we’re going to explore the proper Target and Source Pull-Downs with Color Charts in RAW The explanation is easier if we separate the discussion…
ACES 1.03, ACEScct & DaVinci Resolve 12.5.3 Ok, I lied! In Part 3 of this series I mentioned I was concluding our Getting To Know ACES series,…
ACES VFX Roundtrip Essentials While ACES certainly has many workflow benefits, for me, one of the largest is how easy it makes VFX roundtrips. How does it…
More ACES Terminology & Getting Setup To Work In DaVinci Resolve NAB 2016 has come and gone (and life has kept moving), but I was reminded as…
Update 1: Originally published April 2016, this article was updated in October, 2016 to include links to the new AcesCentral.com website. In support of AcesCentral.com we’ve also…
In the Scifi Ship Series, we’ll sart by creating simple shapes via edge extrusion in Maya as it’s one of the easiest methods to create viable meshes.…
In this Intro to Zbrush course, students will learn better practices for workflows to movr a project from A to Z as well as learn how to…