Color Grading Academy For Adobe Premiere
Release date:2021
Author:Denver Riddle
Skill level:Beginner
Language:English
Exercise files:Yes
Chances are you’re either a filmmaker or an editor and you handle all of you’re own color grading inside of Premiere (the buck stops with you). But you might be feeling frustrated when you’re not getting the results that you’re looking for. You may feel overwhelmed with the Lumetri Color panel or you may even watch a film or project and say to yourself, “Why can’t I grade like that?”
Imagine for a moment what it would feel like knowing that you’re getting the most cinematic look from your camera. How it would feel to be complimented on the style of your work. What would it mean to stand out from your competitors who are likely not even thinking of color grading or very good at it? And how would it feel to land a big project with a major client? You can do it and I’m here to help you.
Module 01
Broadcast Safe in Premiere Pro
Color Balancing in Premiere Pro
Color Balancing With The RGB Overlay
Color Grading Workflow in Premiere Pro
Color Management
Create, Add and Save LUTs in Premiere Prol
Introduction to Scopes in Lumetri
Lumetri Histogram Scopes
Lumetri Parade Scopes
Lumetri Vectorscope
Lumetri Waveform Scopes
Obsolete Color Effects in Premiere Prol
Overview of LUTs in Premiere Pro
Setting Exposure in Premiere Pro
Setting Up a Timeline in Premiere Pro
Using Creative LUTs in Premiere Pro
Using Technical LUTs in Premiere Pro
Working With Black Magic Cinema Raw in Premiere Pro
Working With LOG in Premiere Pro
Working With RED RAW in Premiere Pro
Module 02
Color Correcting White Limbo in Premiere Pro
Correcting Darker Skin Tones
Correcting Lighter Skin Tones
Correcting Skin Tones
Effects And Mask Tracker in Premiere Pro
Export Options and Formats
HDR Grading Technique in Premiere Pro
HSL Advanced Secondary Corrections in Premiere Pro
HSL Secondary Corrections in Premiere Pro
Hue Saturation Curve Tools in Premiere Pro
Introduction to Ideal Skin Tones
Keyframing Effects in Premiere Pro
Raccoon Eyes Technique in Premiere Pro
Recovering Skin Tones
Secondary Corrections With Vignettes and Masks
Module 03
Grade Management in Premiere Pro
Grading Multicam Advanced
Grading Multicam
Masterclass Part 1- Building the Base Correction
Masterclass Part 2- Shot to Shot Matching and Secondaries
Masterclass Part 3- Grouping
Masterclass Part 4- Look Building Intro and Delivery
Picking a Hero Shot
Shot to Shot Matching Advanced
Shot to Shot Matching Multiple Cameras
Shot to Shot Matching
Module 04
Auditioning Different Scene Versions
Black And White Look
Bleach Bypass Look
Color Schemes and Harmonies
Complementary Contrast and Warm Cool Contrast
Contextual Looks
Contrast of Hue
Contrast of Saturation
Contrasts of Color Introduction
Contrasts of Light and Dark
Cosmetic Look
Creating Looks Around Skin Tones
Creating Mood
Creative Looks Based on a Color Scheme
Cross Process Look
Day For Night Look
Dialing Looks to Taste
Memory Colors and What Certain Colors Mean
Orange Teal Look
Suggesting Time of Day
Vintage Looks
Wes Anderson Look
What is The Goal
[ColorGradingCentral] Color Grading Academy For Adobe Premiere.7z.002
[ColorGradingCentral] Color Grading Academy For Adobe Premiere.7z.001
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