In What Are the Limitations of LUTs When Color Correcting in 32-bit Float I demonstrated how typical camera LUTs (used for expanding the contrast of ‘flat’ log-recorded…
Tag: Patrick Inhofer
Patrick’s “3-Node Approach”: Limitations you need to understand When it comes to working with flat, log-recorded images I’m a big proponent of using 3 nodes in DaVinci…
Why Three Nodes? In Mixing Light Insight 008, I demonstrated how the exposure of an image can radically change the effect of any single LUT on that…
What is a LUT(and how do you use a LUT)? A Look-Up Table (LUT) is mathematically precise way of taking specific RGB image values form a source…
Before & After: Building Contrast Curves with Resolve 12 If you missed it, Dan and I have previously done a 5-Part series on color correcting in DaVinci…
Dealing with Saturation in LAB Colorspace There have been quite a few comments in my previous Insights on LAB Fundamentals. And mostly, the question revolves around dealing…
DaVinci Resolve: Node Trees for LAB – Working more efficiently Should you do all your LAB colorspace work in a single node? Or in multiple nodes? Should…
Starting with Photoshop In a previous Insight I shared with you my enthusiasm for the new option in DaVinci Resolve 11 to color correct within the LAB…